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Broken Verses, by Kamila Shamsie
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Fourteen years ago, famous Pakistani activist Samina Akram disappeared. Two years earlier, her lover, Pakistan's greatest poet, was beaten to death by government thugs. In present-day Karachi, her daughter Aasmaani has just discovered a letter in the couple's private code-a letter that could only have been written recently.
Aasmaani is thirty, single, drifting from job to job. Always left behind whenever Samina followed the Poet into exile, she had assumed that her mother's disappearance was simply another abandonment. Then, while working at Pakistan's first independent TV station, Aasmaani runs into an old friend of Samina's who gives her the first letter, then many more. Where could the letters have come from? And will they lead her to her mother?
Merging the personal with the political, Broken Verses is at once a sharp, thrilling journey through modern-day Pakistan, a carefully coded mystery, and an intimate mother-daughter story that asks how we forgive a mother who leaves.
- Sales Rank: #918744 in eBooks
- Published on: 2005-06-01
- Released on: 2013-06-11
- Format: Kindle eBook
Most helpful customer reviews
14 of 18 people found the following review helpful.
The Poet and the Activist
By Luan Gaines
Aasmaani can`t let go of her history: fourteen years ago her mother, Samina Akram, a political activist, disappeared, assumed dead. Samina was the ardent follower of the Poet, Nazim, whose work reflected the injustices and excesses of the Pakistani government through various stages of social and political upheaval, civil war, repression and religious fanaticism. Aasmaani cannot, or will not, release her mother, a woman who moved in and out of the young girl's life, following the Poet into exile, living nearby when he was imprisoned.
Now in her 30's, Aasmaani has begun work at a cable television network, where she is introduced to the handsome son of a famous retired actress, Shenaz Saeed. The actress is about to return to the screen in a cable soap opera. Another face from Aasmaani's past, Saeed was formerly a close friend of Samina`s, especially in the difficult years after the Poet's death. When the actress passes along a letter received from an anonymous fan, Aasmaani is shocked to find it written in the secret code used by her mother and the Poet. She is soon obsessed with the letters, translating and authenticating details, searching for remnants of truth: "He was still alive. Oh, dear God, he was still alive."
The novel works on two levels, the Poet's role reflecting the ills of a society in transition and a young woman's urgent need to unburden herself of lifetime of grief for a lost mother and father-figure. The novel speaks to the power of words in an age of repression, the character's actions cast against the turbulent history of Pakistan since its inception. The Poet is beloved because he dares tell the truth, a metaphor for democracy, holding society responsible for its actions. Samina is just as powerful in her role as an advocate for women's rights, her passion and integrity a valuable weapon against injustice.
Aasmaani is in an untenable position as the daughter of such a woman, torn between the need for her mother and belief in the cause, always sharing her Samina, either with the people or the Poet. Aasmaani is fragile for most of her life, but this rite of passage calls her to recognize her true heritage, her own identity: "Sometimes I feel like I've spent my whole life missing Mama." How does a daughter not resent living in the shadow of her mother's greatness and find peace with the memories she has left? Now Aasmaani is desperate to prove one of them alive, clinging to possibility.
In the end, I am conflicted about this novel. I persevered through the author's lengthy political discourses and the esoteric dialog of the Poet and his lover, trusting the integrity of the characters, even the stubborn, if formidable Aasmaani, who exhausts everyone who loves her. Her psychological distance remains palpable, inaccessible. Aasmaani walks with the gods, refusing to acknowledge their humanity or her own. She has infinite passion for the Poet and the Activist, but no compassion, protected in the ivory tower of her intellect. Shamsie's protagonist has no tolerance for the flawed or the ordinary, yet the story's facile resolution is duplicitous, an author's conceit. Luan Gaines/2005.
2 of 2 people found the following review helpful.
Plastic soap opera hidden behind a sometimes sparkling facade
By Martin SF
"Broken Verses" has been a very ambivalent read for me. Hoping for a serious glimpse into contemporary life in Pakistan, I soon realized I was thrown into the arms of a selfish narrator whom I never came to trust and like throughout the whole novel. The plot touches on serious themes as loss of a beloved person, family relations, womens' rights, religion, politics, the contemporary history of Pakistan, but continues to turn them into a soap opera on its own, soon enough, while the protagonist of the novel, Aasmaani, keeps pointing out and ridiculing the wooden thought and behaviour patterns of everyone she is encountering throughout the novel, including herself, ironically. She seems too smart and detached for her own good, as some other reader has pointed out earlier. If that is what the author intended the readers to understand, that people in the rich, privileged and melodramatic world of her protagonist seem not able to behave freely and independently as characters, for whatever reason, she does succeeded and I should be giving her three or four stars instead of two, for her eloquent choice of language, sometimes original handling of poetry and the occasional interesting observations she provides on different themes. As a plot, though, the story doesn't have much to offer, for a lack of development, and is poorly holding together. I felt most characters, if not all to be very plastic, designed as if to fit the cast of a TV series and hardly likeable, with the exception of Aasmaani's father and his wife, perhaps, who show traces of real people, if just by not being overtly present in the story. I was hoping for the novel to end with a surprise that made one rethink its entire plot, characters and construction, but instead my fears came true and it just got a lot worse. The soap opera theme within the story had indistinguishably incorporated what was left of reality.
(By the way, wasn't the *surprise moment* of the story way too predictable? Agatha wouldn't have liked it. The craving for love may make the protagonist blind, but not the reader.)
4 of 5 people found the following review helpful.
Literature and a good story
By IdeaSmith
It took me over a week to read this book, twice of what I'd normally have taken. This is because I'd linger over a phrase, a paragraph and often go back and read the whole page all over again. I stretched out the reading to savour the experience. I don't remember the last time I wanted to do that with a book.
The story of Aasmaani Inquilab is interesting enough. If the story moves at a slightly slower pace than one is used to in the current fare, it is more than made up for by how beautifully language is used. Kamila Shamsie makes an art out of writing as well as story-telling with 'Broken Verses' and excels in both.
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