Rabu, 25 Juni 2014

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Knives & Ink: Chefs and the Stories Behind Their Tattoos (with Recipes), by Isaac Fitzgerald, Wendy MacNaughton

From the authors of Pen & Ink--New York Times bestselling illustrator Wendy MacNaughton and BuzzFeed books editor Isaac Fitzgerald--the stories behind the tattoos that chefs proudly wear, with their signature recipes.

Chefs take their tattoos almost as seriously as their knives. From gritty grill cooks in backwoods diners to the executive chefs at the world’s most popular restaurants, it’s hard to find a cook who doesn’t sport some ink. Knives & Ink features the tattoos of more than sixty-five chefs from all walks of life and every kind of kitchen, including 2014 James Beard Award-winner Jamie Bissonnette, Alaska-fishing-boat cook Mandy Lamb, Toro Bravo’s John Gorham, and many more. Each tattoo has a rich, personal story behind it: Danny Bowien of Mission Chinese Food remembers his mother with fiery angel wings on his forearms, and Dominique Crenn of Michelin two-starred Atelier Crenn bears ink that reminds her to do “anything in life that you put your heart into.” Like the dishes these chefs have crafted over the years, these tattoos are beautiful works of art. Knives & Ink delves into the wide and wonderful world of chef tattoos and shares their fascinating backstories, along with personal recipes from many of the chefs.

  • Sales Rank: #68952 in Books
  • Published on: 2016-10-18
  • Released on: 2016-10-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 230.12" h x .91" w x 6.81" l, .0 pounds
  • Binding: Hardcover
  • 208 pages

Review

"To marvel." - Florence Fabricant, New York Times

"Knives & Ink, that's a cool book!" - Matt Lauer, Today Show

"Every tattoo offers a glimpse into the minds of those who live through the long hours, burns, sweat, and joys of America’s kitchens. Sprinkled with recipes from the featured chefs, the book is a tribute to creativity, both in food and on the skin." - Vice

"[Knives & Ink] stands out from most tattoo books by illustrating, not photographing, people and their tattoo art, and by emphasizing the narratives behind them." - Los Angeles Times

"One of the fall’s most unusual books is a gorgeous look at the tattoos (and the stories behind them) of 65 chefs, some famous, some not." - Entertainment Weekly's "Must-Read Books of the Fall"

"Sharp, fresh and needed . . . The tattoos are merely the doorway into this world . . . It’s the characters and their humanity that make Knives & Ink so readable." - San Francisco Chronicle

"You’ll be wowed by the moving, even majestic origin stories of chefs of all stripes in KNIVES & INK." - Elle

"[The] stories are alternately cheeky and poignant--but regardless of who they are and where they cook, Knives & Ink offers another look into the creative, scrappy, food-filled lives of some of our favorite chefs." - Food & Wine.com

"This follow up to Fitzgerald and MacNaughton’s awesome Pen & Ink is a beautifully illustrated collection of chefs’ tattoos and the stories behind them. The tales behind the ink are as varied and vibrant as the body art they explain, and reveal a diversity of life experiences--troubles and triumphs both." - Nylon, “Must-Read List”

"A gorgeous and illuminating glimpse into whole worlds: meals cooked, loves lost, and lives lived." - Rachel Khong, Executive Editor, Lucky Peach

"In this lovely, funny, occasionally absurd, frequently very moving book, the figure of the tattooed chef -- so often reduced to a clichéd pork-belly punchline -- takes on a beautiful humanity. Its pages prove that it's no surprise that the men and women who work in kitchens are often drawn to the indelibility of tattoos; their stories of both food and ink are told in languages of passion, art, memory, and identity." - Helen Rosner, Executive Editor, Eater

"Through its sheer variety of tattoos, stories, and recipes, Knives & Ink celebrates the incredible creativity, passion, and inspiration to be found in the culinary community. A fantastic book." - Jamie Bissonnette, Best Chef Northeast, James Beard Foundation Awards

"Every tattoo, like every dish, has a distinct personality. These portraits, both lighthearted and complex, will make you see chefs in a whole new way. Plus, it’s so much fun!" - John Gorham, four-time James Beard Awards nominee

"Whether the subjects are showing off a motivational phrase, honoring a loved one lost with angel wings, or celebrating the bounty of fruits and vegetables in a bright sleeve, these chefs lay bare the inspirations behind their tattoos and their reasons for joining the culinary ranks. Knives & Ink is a moving read as well as feast for the eyes." - CraveOnline

"Knives & Ink is the perfect intersection of everything we find delicious--beautifully-told stories, tattoos, food, recipes, confessions . . . You’ll constantly find new things on every page, and as you dig in, you’ll be moved by more than just your hunger." - Tattoodo.com

"Fitzgerald and MacNaugton are back with a new book of lovingly illustrated tattoos and the stories behind them." - Brooklyn Magazine

"KNIVES & INK is an engaging read, with tales that are poignant, bittersweet, inspirational and occasionally funny." - San Jose Mercury News

"These chef’s stories remind readers just how dedicated they are to their craft . . . Pairing each story with a sumptuously drawn illustration of the tattoo, Knives & Ink invites readers further into the lives of each chef." - Napa Valley Register’s “Cookbooks ideal for holiday gift-giving”

"The perfect gift for anyone who’s fascinated by stories, food, chefs, ink, or cooking but doesn’t have the time to start a 500 page novel. Plus, Wendy Macnaughton’s illustrations completely make the book!" - Ace Natural’s “2016 Holiday Foodie Gift Guide”

"The ensuing sixty-five stories run alternately cheeky and earnest, and come from Michelin chefs and scrappy line workers. Collectively, the tales offer a vivid glimpse into cooks' lives and creative processes, and prove, once and for all, that chefs take their tattoos almost as seriously as their knives." - Michigan Quarterly Review

"This book is just too cool." - Bustle, “18 Books To Give Your Best Friend This Holiday Season”

About the Author

Isaac Fitzgerald has been a firefighter, worked on a boat, and was once given a sword by a king, thereby accomplishing three out of five of his childhood goals. He is the editor of BuzzFeed Books and co-author of Pen & Ink. He lives in New York City.

Wendy MacNaughton is a New York Times bestselling illustrator whose books include Pen & Ink, Lost Cat, The Essential Scratch-and-Sniff Guide to Becoming a Wine Expert, and Meanwhile in San Francisco. Her work has appeared in places such as the New York Times, Bon Appétit, Lucky Peach, and elsewhere. She lives in San Francisco.

Most helpful customer reviews

1 of 1 people found the following review helpful.
As personal as food is to chefs, so are their tattoos.
By J. Berman
What’s cooler than getting the scoop on “What does that tattoo mean?” directly from the source? Fold in the oft-unhinged nature of contemporary chefs and cooks, and the stories get even more strange, unsettling and sincere. Knives & Ink draws you in with each vignette. Chef Travis Milton goes on about his bond with his locale and the crops that are part of his history in cooking. But, then sous chef Richard Arteaga gets into his tattoo of a rare apple and why he shares the same image with two close friends. Many of the stories are peppered with recipes that, like their ink, are flavored with personal connections and not just made fluffy for appeal. Each story plucks at exposed nerves. Chef/owner Michelle Pusateri bears all with a banner-emblazoned stand mixer reading “Sweet and sober.”

As personal as food is to chefs, so are their tattoos. Knives & Ink shares the inspiration for the creative expression of both the food - in the form of recipes - and, more importantly, the artwork of the cooks and chefs included in the collection. Often deeply personal, Isaac Fitzgerald and Wendy MacNaughton share snapshots of this really artful, energized, and sometimes perverse flavor that makes this crew of kitchen hooligans do what they do and wear the flourishes upon their skin.

Being included in this collection caused me to really look at my ink and remember the whys and whens. It was a very personal reflection that Fitzgerald and MacNaughton skillfully relayed in tale and illustration. It isn’t always comfortable to talk about open wounds, a driving force or creative expression. Within the 190-pages of Knives & Ink, all is accomplished and painted with a broad stroke that makes offbeat stories that much more curiously stirring.

There is James Beard caliber talent throughout. There are also less discovered, skilled kitchen bad-asses whose stories are equally engaging. Like the appeal of a slick diner, an Edison-lit hipster hangout and a poppin’ donut shop, the Knives & Ink collection dances across many tastes.

2 of 2 people found the following review helpful.
Wonderful book chefs &tatoos Here is the personal stories from ...
By Kindle Customer
Wonderful book chefs&in Here is the personal stories from a group of chefs the true stories behind their tattoos.The art work illustrating this book is gorgeous .

0 of 0 people found the following review helpful.
Chefs, Artists, & unique holiday gifters.
By susan fitzgerald
Find a place for this book, though book store staff must have a difficult time figuring out where to display it. McNaughton's art is fabulous. The chef's stories are classic. And the recipes can be as challenging as the Sunday crossword. Art, Memoirs, Cookbooks, Essays, Ink -- search every category but find it. It's the Christmas gift of the book world.

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Sabtu, 21 Juni 2014

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Emilio, by Julia Mercedes Castilla

Emilio is not just the new kid on the block, he's new to the entire country. He and his family have just come from Central America to Houston, and everything is terribly different in the big city -- unlike anything he had ever imagined. Uncomfortable with his looks, his size, his unfamiliarity with everything, Emilio shrinks into the shadows in his classes. He does find friends among other immigrants, and he tries to keep out of the way of the rough crowd. But only when his teacher introduces him to the world of numbers does he begin to find himself. Yet there is danger even in embracing the world of math studies, too, and Emilio once again faces hardship and isolation. Emilio is a tale of overcoming fear of the unknown to adapt and prevail over circumstances through will and perseverance. As Emilio makes his own way in this new world, his trials, failures, and successes become a model for all young readers who would accept and embrace responsibility for their own lives.

  • Sales Rank: #2275251 in Books
  • Published on: 1999-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.48" h x .35" w x 5.53" l, .36 pounds
  • Binding: Paperback
  • 160 pages

Review
"Addresses many of the problems facing new immigrants . . . Characterizations, story elements, and themes will resonate with immigrant youngsters." -- Multicultural Review, June 2000:

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  • Sales Rank: #2147600 in eBooks
  • Published on: 2012-11-01
  • Released on: 2012-11-01
  • Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
Trivia for Brits
By Judith
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Designing Audio Power Amplifiers, by Bob Cordell

Master the art of audio power amplifier design

This comprehensive book on audio power amplifier design will appeal to members of the professional audio engineering community as well as the hobbyist. Designing Audio Power Amplifiers begins with power amplifier design basics that a novice can understand and moves all the way through to in-depth design techniques for the very sophisticated audiophile and professional audio power amplifier designer. This is the single best source of knowledge for anyone who wants to design an audio power amplifier, whether for fun or profit. Develop and hone your audio design skills with in-depth coverage of these and other topics:

  • Basics of audio power amplifier design
  • MOSFET power amplifiers and error correction
  • Static and dynamic crossover distortion demystified
  • Understanding negative feedback and the controversy surrounding it
  • Advanced negative feedback compensation techniques
  • Sophisticated DC servo design
  • Audio measurements and instrumentation
  • Overlooked sources of distortion
  • SPICE simulation for audio amplifiers, including a tutorial
  • SPICE transistor modeling, including the EKV model for power MOSFETs
  • Thermal design and the use of ThermalTrak transistors
  • Four chapters devoted to class D amplifiers

Supplemental material available at www.cordellaudio.com includes:
* Ready-to-run amplifier simulations * Key transistor models * Other bonus materials

Make Great Stuff!
TAB, an imprint of McGraw-Hill Professional, is a leading publisher of DIY technology books for makers, hackers, and electronics hobbyists.

  • Sales Rank: #397192 in Books
  • Published on: 2010-10-07
  • Released on: 2010-09-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.60" h x 1.30" w x 7.10" l, 2.32 pounds
  • Binding: Paperback
  • 640 pages

About the Author

Bob Cordell, an electrical engineer, is a prolific designer of amplifiers, audio test equipment, and other audio gear. He has published articles on power amplifier design in the Journal of the Audio Engineering Society (JAES) and other publications. Bob is a member of the JAES Review Board and he maintains an audiophile website at www.cordellaudio.com.

Most helpful customer reviews

20 of 21 people found the following review helpful.
It gets better all the time...
By Jan Didden
[Adapted from the book review by Jean-Pierre Vanderreydt in Linear Audio Vol 1, April 2010, by kind permission of Linear Audio Publishing]
This book is exclusively about audio power amplifiers design and mainly about class AB power amplifiers except for detailed introduction to class D amplifiers. Bob Cordell, the author, is well known within the audio community. He is a member of the AES, and presented many important papers on power amplifier design and distortion analysis.
The objective of this book is, according to its author: « to address many advanced topics and important design subtleties and to allow at the same time designers relatively new to the field to absorb the material without being overwhelmed ».
Did he achieve his goal? Certainly yes, by more than 90%. It is definitely a design book and not a cookbook or a description more or less exhaustive of existing designs. When digested, this book will give to the reader all the background necessary to design state of the art and flawlessly performing amplifiers. The advanced reader will find topics not addressed in equivalent books and which would otherwise require reading of specialized literature.

The books' division in six parts is judicious and well chosen. It helps to keep an overall view of the field without being lost in details while gradually building up knowledge.
In part one the author covers the basic design principles of a power amplifiers. The voltage amplifying topology analyzed throughout the book is the two stages OTA (Operational Trans-conductance Amplifier). This topology is the most used in power amplifiers, because it is well known and well behaved. This part starts with a description of the basic building blocks used to design the stages of an OTA. Their operation is well described in a qualitative way without using any node equation.
With this background, the author starts a very good design exercise, beginning with the explanation of a basic amplifier and ending in a high performance one. Each refinement step is justified by the improvement in THD1, THD 20 for various loads including zero load. This is a very educative and nice approach which shows the designer the reason why each implemented improvement is beneficial.
The Early effect is correctly treated but some confusion exists among designers and is not completely clarified in the book.
In the next chapter in this first part, the author explains negative feedback (voltage), stability and compensation avoiding heavy math in a very effective but rather dense way.

The next chapter investigates what is certainly the most critical stage in a power amplifier: the output stage. Here the author shines. His treatment of all the design aspects of an output stage is perfect. Understanding and minimizing crossover distortion and output stage stability are keys to the performance of a class AB power amplifier. This treatment will be followed in a later chapter by an even more thorough analysis.
The author revisits, in a second part, the design and topologies of the different stages under the title: Advanced Power Amplifier Design Techniques.
JFETs are presented to be used in the front end without showing a definitive advantage. Then Bob presents in good details various complementary input stages coupled with push pull VAS showing nicely how current sources may not fight each other and how to stabilize the bias current if they are used in a complementary design.
He finalizes his list by presenting a full symmetrical design with a fully differential input amplifier loaded by a self biasing load which operates as common mode feedback. There is no presentation of single stage folded cascode topology. This one is very popular in IC design because it is fast and easy to design with. There is also no discussion of current mode amplifiers known for their speed and very high slew rate. It would have been interesting here to understand if the various increases in complexity presented are justified by an increase in measured performances.
In the next chapter of advanced techniques, the author is doing a very fine and exhaustive job in explaining how to design DC servo's: very thorough!
Next, compensation is revisited. Dominant pole, pole splitting in Miller compensation is well explained as well as the tradeoff between slew rate and GBW. It should be pointed out here how the increase in VAS collector current shifts the non dominant pole to the right and is a design degree of freedom, together with the increase in Miller capacitance, to improve phase margin.
The insertion of a zero in the forward path by the minor loop feedback modification to cancel a parasitic pole is explained. This is a technique used to cancel a pole introduced by capacitive loading at the output of the amplifier, an important feature in audio amplifiers. But there is a risk worthwhile mentioning. The global forward path zero introduced is a pole in the minor loop and could degrade minor loop stability. A zero introduced in the minor loop canceling the introduced pole restores the minor loop stability. This is done by bridging the RC feedback element with a capacitor. This is not a generic compensation technique because it is depending on the specific load and could generate instabilities when the load is removed!
The feedforward right half plane zero (that acts as a negative pole from a phase point of view) of a Miller stage is addressed but this is not critical in a BJT design because the zero is at a very high frequency. The technique used to eliminate it is still useful for another reason. A resistor as mentioned is efficient but other techniques are making the path through the capacitor unilateral so eliminating the forward zero. A way to do so is by connecting the Miller capacitor to a cascoded node in the front end. The advantage of such a solution is that it improves a lot the PSSR of the negative rail which is 0dB in a classical Miller stage. It impedes the forward traveling of negative supply noise through the Miller capacitor.
Next, three advanced compensation techniques improving the open loop bandwidth and therefore the distortion reduction at higher frequencies are well explained
In the next chapter of Advanced Techniques, the output stage design and its crossover distortion is revisited. As mentioned before, this is a very important chapter and is covered in a perfect way. The graph of crossover distortion versus power level is particularly enlightening. The analysis of optimal bias, crossover distortion, driver design and output push pull design as well as stability and sizing is very complete and well written.
Still in the same section, the author is turning to his forte: the design of MOSFET power amplifiers. After having read this chapter, the reader will know in depth everything required to make a state of the art MOSFET amplifier: theory of power MOSFET operation, vertical and lateral MOSFETs, parasitic oscillations and cure, biasing and driving for low crossover distortion, comparison with BJTs, protection, paralleling and matching; another great chapter.
Next a full chapter is devoted to error correction techniques which the author was one of the first to promote and implement. It is very nice to find in a single place such a treatment of this technique including analysis and detailed design with all the refinements. The reviewer particularly liked the explanation of HEC (Hawksford-type Error Correction) with a negative feedback loop enclosing a positive feedback loop that creates the very high forward gain..
This advanced section ends with a chapter on other sources of distortion. This is a potpourri of all the distortion sources not yet mentioned. It is again nice to have a single place were all these mechanisms are listed and detailed. On aspect missing is the distortion input voltage generated by non linear input current on the input impedance and techniques to avoid it like bootstrapping.
Part three is concerned with the implementation and the making of a real product.
A first chapter addresses in depth output stage thermal design. Then, protection mechanisms, power supply design, ground layout and EMI control are thoroughly described. I particularly liked the chapter on clipping control which is an important aspect for sound quality and is very often neglected.
Part four on simulation and measurement is again a good surprise. Not every designer or would-be designer has been trained in Spice simulation. The availability of top class free software like LTspice imposes the use of this tool. The two chapters following are doing a great job in providing the newcomer with a very easy start in using Spice, and the seasoned user with a really great and detailed approach on making accurate models. The chapter on making one's own models is by itself worth the value of the book. A missing aspect is the explanation of the different existing techniques to simulate correctly the loop gain without changing the loading of the circuit (Middlebrook, Tian probe) and to understand their advantages and shortcomings. I also would have liked to see the problem of analyzing multi-loop stability issues being addressed.
In the rest of this section, the author explains very nicely all the different aspects of audio measurements and provides the reader with very handy DIY tools. The focus is of course on distortion measurements in all its aspects.
The next section covers specific topics. The first one is about the feedback controversy and its influence on the sounding of amplifiers. This endless debate is not solved here but the author closes very well many doors and correctly eliminates arguments that are all too often used by pseudo specialists. The chapter on how to make amplifiers without feedback and the difficulties associated with it is great reading.
Next balanced inputs, bridge amplifiers and fully differential amplifiers are explained.
The last chapter of this section is devoted to integrated circuit power amplifiers. The availability of high quality specialized IC's will allow the designer to make amplifiers that rival full discrete ones and this chapter explains very well how to achieve this.
A very intriguing example shows a MOS amplifier biased with the LT1116 and driven by the LM49830. This is a design worthwhile to be tested because, according to the author, the transient thermal distortion of the output stage should be under control.
This is one of the simplest amplifier to realize (but not simple to design) and perhaps one of the best performing ones.

The last section is an introduction to class D amplifier operation. This is a field in itself and information is scattered among textbooks, papers and application notes. Like in the Spice chapters, the author is doing a great job here in summarizing all the aspects of class D operation. Using the same methodology, the explanations remain qualitative without math. This is necessary if you want to get introduced and get a good overview of this complex new field.
The author starts with the basic concepts of a classical PWM modulator. By describing the operation of a buck DC-DC converter, he starts with a good and rather deep overview of the difficulties that the switching of high power will bring. Single ended and bridge configurations are then introduced.
Digging deeper, the issues of input anti-aliasing filter and output reconstruction filters are addressed. Next, the requirement for negative feedback is explained and the difficulties to include the output of a reconstruction filter in the loop are fully reviewed leading to the concept of self oscillating loops.
The author then shows the simplicity and performance of some self oscillating modulators that include the output filters in the overall feedback with all its advantages.
Finally, the author describes the operation of Sigma Delta amplifiers with their associated quantization noise. Noise shaping is well explained but it is a difficult concept to understand without a feedback block diagram showing how the noise transfer function is different from the signal transfer function. This noise is attenuated at low frequencies because it is divided by the loop gain and thus attenuated by the inverse of the low pass filter transfer function.
The last chapter is about measuring class D amplifiers which is obviously different from linear amplifiers.
This is a great book to read and read again. The progressive approach and the advanced details are making this book useful both for the seasoned designer and the electronic student wanting to understand practical analog design. The explanations avoiding equations are great and are giving a good physical background to the operation of the discussed circuits. This will appeal to people wanting a practical approach to electronics up to an advanced level.
If you want to be comfortable in understanding state of the art audio power amplifier designs, if you want to make your own state of the art amplifier, build it and test it, then you should buy this book and read it thoroughly.
[Adapted from the book review by Jean-Pierre Vanderreydt in Linear Audio Vol 1, April 2010, by kind permission of Linear Audio Publishing]

19 of 20 people found the following review helpful.
Audio Amplifier Design
By Ronald W. Anderson
About five years ago I got interested in what had happened in the field of audio amplifiers since my last brush with them some 30 years ago. I bought two books on the subject and read them through several times before beginning to build some prototype amplifiers. Just recently I noticed a brand new book hot off the press, "Designing Audio Power Amplifiers" by Bob Cordell.

I had purchased "High-Power Audio Amplifier Construction Manual" by G. Randy Slone. His is not a design manual but as it says, a construction manual. Much is covered in the area of how modern solid state amplifiers are designed and the history of them, however. This book is copyright 1999 so it is not the latest information.

Later I saw "Audio Power Amplifier Design Handbook" by Doug Self, fifth edition published 2009. This is a major update of the 4th edition which I had purchased earlier. It is a bit more technical, going into the mathematics involved to a greater extent. By this time I had built three audio amplifiers all of which have been working well for some time.

Most recently I saw the announcement of "Designing Audio Power Amplifiers" by Bob Cordell. None of these could be called casual reading nor are they absorbed in an evening. Cordell's book is over 600 pages (and the other two over 500 pages)! It goes into detail regarding the design of an amplifier but Cordell keeps the math quite simple and gives the reader a much better intuitive feeling for what is happening in a solid state amplifier circuit. He discusses some techniques not mentioned by the other two.

Slone discusses bipolar transistor output stages and MOSFET output stages. He prefers the MOSFETs for their ruggedness in high powered amplifiers, allowing a few thousandths of a percent distortion increase because of their properties. Self simply dismisses MOSFET output stages because they are not as good in terms of minimum distortion. Cordell in his book discusses both and the relative strengths and weaknesses of each rather impartially. He goes into the "why" a bit more deeply than the others. He also discusses circuit simulation via Spice, a software package designed to simulate circuits and show how they will operate when constructed in hardware. He recommends a free Spice package that can be downloaded and devotes three chapters to how to use this software.

Let me back up a bit and say that I am an Electrical Engineer with some 43 years experience in circuit design and computer programming for industrial applications. What is simple math to me may not be simple to all readers. If you just want a cookbook to build an amplifier, get Slone's book. For more depth in theory this one by Cordell will be just what you want.

Cordell does not go into a discussion of the "Subjectivist" folks in audio. The others both do so. If you are interested in this subject, Self is very good.

The three books cover a great deal of the same material but each has some unique information and a different approach. Cordell has clarified a couple of points that the other two left rather dangling.

20 of 22 people found the following review helpful.
His Master's Voice
By Bradley Wood
When I heard that Bob Cordell had written a book on audio power amp design, I advance-ordered it immediately. Everything I'd seen of his work over the years had been eminently coherent and elegantly conveyed. The book arrived today and is well worth the wait.

I'm going to have to be careful about how much time I spend with this, as it could easily keep me up into the wee hours and lead to an impractical day following. But everything I've sampled is accurate, concise, and a pleasure to read. Much like Floyd Toole's recent magisterial tome, Sound Reproduction, Cordell calmly but decisively demolishes flawed audio mythology at every turn. Part 5, toward the end, is itself well-worth the price of admission. The discussion on negative feedback in particular is recommended.

But the book is not all about skewering shibboleths, and dipping into to earlier chapters reveals a keen and compassionate ability to convey crucial insights into real design. The balance between the maths, simulation results, and real-world experience is well-wrought. Again, I've not read but a fraction, but the flavor comes through readily from all of the excerpts I've perused.

As well, the book appears to be astonishingly typo-free. There must be a few, but I haven't found any yet.

Having heard directly from Toole how arduous the production of his book was, the fights with incompetent editors and so forth, and the negligible compensation he's receiving, I am mightily impressed with this book, and thank Bob Cordell for expending the enormous effort it has doubtless required. And I sense a fundamental decency about the man, somehow.

Very highly recommended.

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Kamis, 12 Juni 2014

[L903.Ebook] Download Ebook Design for Manufacturing and Assembly: Concepts, architectures and implementation, by O. Molloy, E.A. Warman, S. Tilley

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Design for Manufacturing and Assembly: Concepts, architectures and implementation, by O. Molloy, E.A. Warman, S. Tilley

In order to compete in the current commercial environment companies must produce greater product variety, at lower cost, all within a reduced product life cycle. To achieve this, a concurrent engineering philosophy is often adopted. In many cases the main realization of this is Design for Manufacture and Assembly (DFM/A). There is a need for in-depth study of the architectures for DFM/A systems in order that the latest software and knowledge-based techniques may be used to deliver the DFM/A systems of tomorrow. This architecture must be based upon complete understanding of the issues involved in integrating the design and manufacturing domains. This book provides a comprehensive view of the capabilities of advanced DFM/A systems based on a common architecture.

  • Sales Rank: #4974734 in Books
  • Published on: 1998
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .63" w x 6.14" l, 1.10 pounds
  • Binding: Hardcover
  • 205 pages

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Jumat, 06 Juni 2014

[B238.Ebook] Download PDF Basic Communications Electronics, by Jack Hudson, Jerry Luecke

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Basic Communications Electronics, by Jack Hudson, Jerry Luecke

Basic Communications Electronics explains analog electronic devices and circuits -- how they work and how they are used to build communications systems. Emphasis on semiconductor devices and integrated circuits (ICs). For anyone who wants to understand analog electronics and wireless communications. End-of-chapter quizzes and problem sets reinforce learning. Includes many worked-out examples and detailed illustrations within the text.

  • Sales Rank: #554481 in Books
  • Published on: 1999-06
  • Binding: Paperback
  • 232 pages

From the Back Cover
Modeled after PROMPT() Publications' bestselling titles Basic Electronics and Basic Digital Electronics, Basic Communications Electronics discusses how analog electronic devices and circuits are used to create communications systems. Concentrating on semiconductor devices, bipolar and field-effect transistors, and integrated circuits, Basic Communications Electronics will teach you how these devices work and how they are used in analog circuits. With the knowledge of basic concepts, device and circuit fundamentals, and circuit applications, you will have a solid foundation that will help you understand the development of communications electronics.

About the Author
Jack Hudson, W9MU, was the head of the Electronics Program at College of Lake County, Grayslake, Illinois, where he taught a wide-range of electronics courses to community college students as well as sailors from the nearby Great Lakes Naval Training Center. He is a licensed Extra Class amateur radio operator.

Jerry Luecke holds a Master's Degree in Electrical Engineering from Northwestern University. He worked for Texas Instruments, and is the author and editor of many electronics texts.

Most helpful customer reviews

0 of 0 people found the following review helpful.
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Five Stars
By MATSIMOUNA Arnaud
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29 of 29 people found the following review helpful.
This is the best book I came across under 500 pages
By darkguardian2
I loved the way this book is organized and layed out. The diagrams are easy to read and follow. The slant of the book focuses on the communication aspects of electronics starting off with a definition of communications and explaining and surprisingly clear detail the definitions you will come across. A good refresher chapter covers Ohm's Law, transistor and FETs configurations and a real good section on couplings and their effects on the signal. Diagrams of the spectum analyzer's screen is used to explain modulation with out getting technical. All the math is basic algebra with no calculus in sight. There's a page in chapter 4 that helps you in designing common emitter amplifiers. AM, FM, sideband is covered including standing wave ratio and antenna theory. I wish I had this book when I was learning radio communications in the military. It's only 200 pages but the information provided is enough to get the beginning student up to speed quickly. The author doen't go much into TV but he does cover various line connections from waveguides to coaxial cables. From here you can easily move on to an ARRL Radio book. I love this book!!!

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Kamis, 05 Juni 2014

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Life Of Edwin Forrest, The American Tragedian, Volume 2... - Primary Source Edition, by William Rounseville Alger


This is a reproduction of a book published before 1923. This book may have occasional imperfections
such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact,
or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections,
have elected to bring it back into print as part of our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.



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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification:

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Life Of Edwin Forrest, The American Tragedian, Volume 2; Life Of Edwin Forrest, The American Tragedian; William Rounseville Alger

William Rounseville Alger

J.B. Lippincott & Co., 1877


  • Published on: 2013-10-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.69" h x .96" w x 7.44" l, 1.86 pounds
  • Binding: Paperback
  • 476 pages

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Senin, 02 Juni 2014

[X873.Ebook] Free Ebook The Underground Guide to Los AngelesFrom Manic D Press

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Travel. THE UNDERGROUND GUIDE TO LOS ANGELES is the ultimate lowdown on the secret splendor and saucy seediness that is Los Angeles, whether your trip is for a day, a week, or the rest of your life. Includes extensive listings of cheap eats, shopping, and entertainment, and all the fabulous details necessary for life among the brazen, bold, and notorious.

  • Sales Rank: #4466525 in Books
  • Published on: 1999-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.52" h x 5.07" w x 6.95" l, .43 pounds
  • Binding: Paperback
  • 240 pages

Most helpful customer reviews

4 of 7 people found the following review helpful.
I was sucked in by the title, but other books offer more
By Jessica Lux
This book is a good idea, but even the standard Moon handbook has more hidden out of the way stuff than this one. It's more like a series of essays than a comprehensive guidebook, so you can't turn to a specific area or a specific topic, other than the essay titles. It's best as a guide to restaurants, shops, bars, and coffeehouses, but there are much better ones if that's what you are really after. Everything is treated too quickly to really give the reader a good idea what they are getting into.

I remember one thing in the Hollywood chapter they pointed out was the Pink Dot, a convienence store that delivers. I "had to" go visit it, thinking it was a famous landmark, but it is really just one of a chain of mediocre conveinence stores. I have no idea why it made it into an "underground" guidebook.

21 of 24 people found the following review helpful.
Indispensible for partying/surviving in LA!
By A Customer
This book has chapters on music, restaurants, great places to buy clothes, see art, go to thriftstores, etc. I've lived in LA for four years and never even heard of some of these places! The chapters are all fun, too, not boring like regular guide-books. Some are like essays, most are hysterically funny, full of personality. The writers included in this collection are diverse. Some are well-known, some are poets, others, like Rob Zebrecky (of Possum Dixon) are musicians. This would be a good gift for a visitor, or even someone who lives in LA.

10 of 15 people found the following review helpful.
Same ol' same ol' - Anything BUT Underground
By Gerard Kaszubowski
When one hears the word "underground", one usually thinks you are going to get the inside scoop on something or get the unusual, strange or non-ordinary. This book is anything BUT those qualilties.
This LA guide gives you the same ol' sites to see that any other tourist book would....Mann's Chinese Theatre, Universal Studios, Hollywood Walk of Fame. You might get a good reccomendation on where to eat, but that is about it. Nothing too underground about this book.
However, for a tourist book it really isnt bad. Pick it up. Just dont go in with the pre-conceived notion that you are picking up something unusual. it is as good as any other tourist book of L.A.

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